Mrs. movie review: Sanya Malhotra is terrific in a scathingly powerful attack on patriarchy

Mrs. movie review: Sanya Malhotra is terrific in a scathingly powerful attack on patriarchy

Mrs. movie review: Sanya Malhotra is terrific in a scathingly powerful attack on patriarchy

What: ‘Mrs.’ – The Hindi remake of the Jeo Baby’s 2021 Malayalam phenomenon ‘The Great Indian Kitchen’ gets a respectable remake by Arati Kadav where Sanya Malhotra is terrific as she excels in the role of a housewife trapped in that ‘kitchen jail’ to serve ‘gahr ka khana to her husband and her father – in -law.

Mrs. movie synopsis

Honestly, the plot/theme of Mrs. is the story of majority of Indian household and the movie begins with Richa (Sanya Malhotra) a trained dancer and a dance teacher getting ready to meet her potential future husband Diwakar (Nishant Dahiya). Diwakar is a well to do doctor. Diwakar cloyingly holds her hand and they get married. Richa – the bahurani enters Diwakar’s household and her duties as a wife and daughter-in-law begins from day one.

As days pass by and especially after her sasu maa (mother-in-law) goes to take care of her daughter who is expecting, the routine duties of Richa turn into horror. Yes horror, Richa cooks, washes, wipes, sweeps and swabs while her husband gets ready to go to his clinic. Richa gets no domestic help and on top of that her father – in – law insists to have chutney made from the traditional sil batta grind stone not on the mixer grinder. Richa’s grandfather – Papaji (Kanwaljit Singh) also wants his footwear to be kept outside from the shoe rack for him when he has to leave from the house. Richa’s mother – in – law use to do it. How the routine life of Richa becomes a metaphor of domestic slavery and what happens next forms the crux of this film.

 

Mrs. movie review

ZEE5

Mrs.it’s extremely difficult to stay true and respectful to an extraordinary cult on patriarchy like ‘The Great Indian Kitchen’ – the most powerful movie in recent times. Director Aarti Kadav along with her writers Anu Singh Choudhary and Harman Baweja (also the producer) do some simplification and omit the religious chapter from the original obviously to avoid backlash but stick to the exploitation and slavery of women in Indian households.

The women represented by Richa (Sanya Malhotra) in this film presents the picture of majority of Indian households that crosses state, linguistic and class boundaries. Richa wakes up early and is the last one to go to sleep. In between she does all the chopping grinding, sweeping, moping, cleaning of sewage (the kitchen pipe leakage for days does not bother her husband), garbage and many times is forced to surrender to her husband’s physical demands on bed. The routine is sickening as she gets no domestic help and no life of her own, no time for herself. Richa wants to resume her dance classes but her demand gets politely rejected by her father – in – law who is an expert on how dumpukth biryani should be cooked on tender flame but leaves half chewed meat bones on the table, same goes for his son Diwakar. Women who will eat on the same table after the men are done are not even given a clean table to eat.

Menstruation is the only time women like Richa get rest but it’s not care but the rigid old custom scare which says that women during menstruation are not ‘pure’. During that time a domestic help cooks for the men in the house. Men have no option to eat whatever she has cooked or order from outside.

The biggest USP of The Great Indian Kitchen is its astonishing ability to highlight hard scathing reality without doing anything extra. Just showing the routine household work in majority of Indian houses and the way millions of people eat and leave the waste on the dining table.

 

Mrs. Performance

ZEE5

Sanya Malhotra excels as Richa, playing the ordinary Indian housewife the actress gives an extraordinary performance that brings the pain, suffering, dilemma, helplessness and horror on screen to great effect. Millions of women audiences will relate with Richa and Sanya is expected to increase her fanbase after Mrs.

Nishant Dahiya as the typical male chauvinist husband is fantastic and plays his part with subtlety.

Kanwaljit Singh as Papaji – the father – in- law is outstanding. The actor as the soft-spoken male patriarch dominates the household with his aura and body language.

Varun Badola in a short role is excellent.

 

Mrs. - Flaws

ZEE5

As said earlier, for those who have watched the original Malayalam film ‘The Great Indian Kitchen’ they will point out the playing safe nature of the Hindi remake where makers have omitted the religious angle.   

 

Mrs. review final words

Mrs. – the Hindi remake of perhaps the most powerful Indian film in recent times – The Great Indian Kitchen (2021) by Jeo Baby that starred Nimisha Sajayan, not only gives Sanya Malhotra her best film till date but also highlights the disturbing truth of majority of Indian households that keeps on asking pertinent questions like – Is Kitchen a prison for housewife’s, Is Kitchen a place where millions of ‘Mrs’. are victims of domestic slavery?

Going with a well-earned four stars for Mrs.

Produced by Jio Studios in association with Baweja Studios, Mrs. is a ZEE5 original movie and will premiere on Zee5 on 07 Feb, 2025.

 

Rating : 4/5

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About vishal verma

vishal verma

A child born from life & fed by cinema. A filmi keeda from child & a film journalist for the last fifteen years. a father, seeker, foodie who loves crooning bollywood melodies twitter.com/cineblues More By vishal verma

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